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Embodied Music Cognition And Mediation Technology Pdf

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Music, Mind, and Embodiment

Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap.

Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience mind and sound energy matter , Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form.

He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology. Leman proposes that, under certain conditions, the natural mediator the body can be extended with artificial technology-based mediators.

He explores the necessary conditions and analyzes ways in which they can be studied. Leman outlines his theory of embodied music cognition, introducing a model that describes the relationship between a human subject and its environment, analyzing the coupling of action and perception, and exploring different degrees of the body's engagement with music. He then examines possible applications in two core areas: interaction with music instruments and music search and retrieval in a database or digital library.

The embodied music cognition approach, Leman argues, can help us develop tools that integrate artistic expression and contemporary technology. Skip to main content. Books Journals Reference Works Topics. Buy The Book. ISBN: pp. August Communication Linguistics. Philosophy of Mind.

Psychology I: Foundations of Cognition. Embodied Music Cognition and Mediation Technology. By Marc Leman.

Embodied music cognition

It argues that an approach based on phenomenological philosophy and inspired by recent developments in cognitive science may shed new light on learning and help educators reconsider grading systems accordingly. Accommodating this shift implies transforming assessment practices into more open and flexible systems that take seriously the challenge of cooperative learning and phenomenological reflections. Keywords: music , experience , phenomenology , embodiment , enactive paradigm. His work combines empirical and theoretical research at the crossroads of music psychology, cognitive neuro science, and philosophy of mind. Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

This particular problem can be solved by adopting an enactive approach to music cognition. This explanation does not rely on on sophisticated forms of representation. Matyja J. Constructivist Foundations 8 3 : To stay informed about comments to this publication and post comments yourself, please log in first. Volume 16 Number 1.


PDF | Review of Embodied Music Cognition and Mediation Technology Marc Leman. Cambridge, MA/London: The MIT Press, pp.


Embodied music cognition

Embodied music cognition is a direction within systematic musicology interested in studying the role of the human body in relation to all musical activities. It considers the human body as the natural mediator between mind focused on musical intentions, meanings, significations and physical environment containing musical sound and other types of energy that affords human action. Given the impact of body movement on musical meaning formation and signification, the musical mind is said to be embodied. Embodiment assumes that what happens in the mind is depending on properties of the body, such as kinaesthetic properties. Embodied music cognition tends to see music perception as based on action.

A proposal that an embodied cognition approach to music research—drawing on work in computer science, psychology, brain science, and musicology—offers a promising framework for thinking about music mediation technology. Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience mind and sound energy matter , Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology.

Embodied Music Cognition and Mediation Technology

Briefly summarized, EMC relies upon the hypothesis that embodied sensorimotor engagement is essential to both production and perception of music Leman, ; Leman and Maes,

Embodied Music Cognition: Trouble Ahead, Trouble Behind

Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience mind and sound energy matter , Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology. Leman proposes that, under certain conditions, the natural mediator the body can be extended with artificial technology-based mediators. He explores the necessary conditions and analyzes ways in which they can be studied.

Marc Leman. Musical sounds can provoke strong emotions and profound physical and physiological experiences. In groups of people, music can synchronize or entrain participants and listeners. Yet music also generates highly personal evaluations of its meaning, and idiosyncratic interpretations of the intent of those who produced it. Given this considerable scope, can we investigate the foundations of musical experience? By what means does music signify?

Skip to search form Skip to main content You are currently offline. Some features of the site may not work correctly. DOI: Keller and P. Keller , P. Janata Published Psychology Music Perception. In Embodied Music Cognition and Mediation Technology, Marc Leman examines how these developments might be unified into something that is simultaneously a theory of music cognition and a blueprint for the music mediation technology of the future.


This book is a veritable gateway to 21st-century technological advances in the analysis, creation, performance, and retrieval of music. Leman's overview of.


Embodied Music Cognition and Mediation Technology

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Marc Leman. Musical sounds can provoke strong emotions and profound physical and physiological experiences. In groups of people, music can synchronize or entrain participants and listeners. Yet music also generates highly personal evaluations of its meaning, and idiosyncratic interpretations of the intent of those who produced it. Given this considerable scope, can we investigate the foundations of musical experience?

Marc Leman. Musical sounds can provoke strong emotions and profound physical and physiological experiences. In groups of people, music can synchronize or entrain participants and listeners. Yet music also generates highly personal evaluations of its meaning, and idiosyncratic interpretations of the intent of those who produced it. Given this considerable scope, can we investigate the foundations of musical experience? By what means does music signify? Might a better understanding of these complex issues lead to improved musical interactions in the digital age?

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Embodied music cognition and mediation technology

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